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AV News Reviews

WHAT HI-FI? SHOW 2019 – MUMBAI (SHOW COVERAGE REPORT / PART 3)

15 FLOOR

1501 – NUCLEUS AUDIO

BRAND SHOWCASED: LYRAVOX

Once again the Lyravox SM3-150 was showcased by Nucleus Audio, although this year with some new clothes (Centre Grill). Inside also there were changes in the form of a revised amp module software that has resulted in the Lyravox SM3-150 shining to an even higher level now, thereby making what was a great piece of kit even more amazing. We felt the dynamics are now even larger and when the volume was increased the Lyravox SM3-150 turned into a party animal with EDM music being belted out at full tilt but never as jarring as some of the other rivals at much lower price points end up doing. Having said that, the Lyravox SM3-150 at 16L isn’t for the average Joe, so the target audience is one that we feel won’t be visiting such a show in the first place, but rather would be advised about its presence by dealers, advisors and influencers who would be part of the inner coterie of the said clientele. The Lyravox SM3-150 is definitely a product that demands attention from the rich & famous.

1502 – OKAS

BRAND SHOWCASED:

OKAS

Excerpts from their website:

“OKAS a Sanskrit name for home or a place where you feel peaceful inspired the idea to create a solution that makes you feel more connected to your home. While designing OKAS, we understood that home is an exceptional space for people with class or taste for exclusivity. Also, each member has their preferences and feeling of living. Keeping all this in mind we integrated Artificial Intelligence with User persona to create the world’s first human-centric and user-driven home automation system with quintessential design features.”

As per our understanding, OKAS is a tailor made software that not only does everything that a automation software should do but it goes further by constantly tweaking the settings via artificial intelligence thereby suggesting the end user what he/she may like at the given time of their presence in the various zones of their home.

OKAS has smart controllers that function either for a single room or could multiply the same for larger spaces with integration of​ lighting, music, video, climate control, security and more into one simple system—a system you can access and manage from anywhere in the world. The user ultimately determines when, where and how things and actions should happen. The salient features of OKAS are as under:

  • Multi-Room Music – Play music from almost any format, in any room, any time.
  • Lighting – Save energy and enjoy the perfect ambiance in every room.
  • Interface – Enjoy control from anywhere-online or on your smartphone.
  • Security – Experience peace of mind with features that enhance your home security.
  • Artificial Intelligence System that is Human Centric.

We were given a remote tour of what OKAS does and how it can be implemented into the automation platform. The OKAS team advised us that the same will be ready for purchase in a couple of months’ time, during which they will also announce the pricing of the same. In the current scenario where there are already a lot of players offering various options and solutions, it will be interesting to see how OKAS gains a foot hold into this crowded market and notably at what price. We shall observe their progress nonetheless as the concept is interesting and challenging to be accepted by one & all, to say the least.

1503 – SONY INDIA PVT. LTD.

BRAND SHOWCASED:

SONY DOLBY ATMOS SOUNDBAR

SONY HEADPHONES

In typical Sony fashion, there was an exhibition vibe associated to their room, with one part showcasing the much talked about Dolby Atmos enabled sound bar – HT-ST5000 and in the other part were the headphones on display. Sadly, the way the demo of the sound bar was given, much was left to be desired and frankly speaking it wasn’t done in the right manner to showcase the Dolby Atmos effect. Hopefully, the others who visited the room did not think that Dolby Atmos is a gimmick as that would surely do more harm than good to the Dolby Atmos format in the long run.

1504 – NAGAOKA TRADING CO.

BRAND SHOWCASED:

NAGAOKA PHONO CARTRIDGES

NAGAOKA RECORD CLEANING ACCESSORIES

NAGAOKA ISOLATION ACCESSORIES

NAGAOKA HEADPHONE

A rather young gent was in charge of the room, who incidentally is also the newly appointed distributor for the Nagaoka brand products, notably their very popular range of Moving Magnet Phono Cartridges, which currently are the rage the world over. Along with the range of these Moving Magnet Phono Cartridges, were samples of the Nagaoka brand of Vinyl playback related & storage accessories such as Record Cleaning Brush, Cleaning Sprays, Inner Sleeves. Besides these, Nagaoka’s Isolation Devices were also on display and so were their Head Phones. The distributor kept changing the cartridges for demo purpose, amongst the range to showcase each ones sonic capabilities as well as show the visitors how to use the cleaning sprays and brush. Other than Nagaoka, the gent also is the distributor for a couple of record labels (World Circuit & Jackpot Records), of which he had on display as well as played most of the titles, for the benefit of the visitors. A team of Nagaoka representatives had also come down especially to be part of the show and to gauge the market response of the same for their products. We were very happy to meet them and interact with them, in regard to the Vinyl scene in general not only in our country but the world over. We hope that the distributor does justice to the Nagaoka brand and is able to keep the prices that are in keeping in accessibility to the Vinyl Aficionados across all walks of life and wish him the very best for his endeavors.

1511 – NEXUS AUDIO VIDEO

BRAND SHOWCASED:

PMC

One of the rooms that always is one of our favourites, not because we are good mates with the Nexus Audio Video Bossman, but because he has that ability of making his brands sound top notch almost every time he takes part in the show. He is one of the very few gents in the AV Industry Distribution business that is firstly a die-hard audio-video enthusiast and that truly reflects in not only the brands he represents but also the way he does so. This time, he showcased PMC’s newest line of ‘budget’ speakers that too active ones and currently are the flavour of the audio circuit world, be it home or studio. The PMC Result 6 are aimed at the prosumer segment, meaning they can fill in the requirements of not only a home audio enthusiast but also that of the professionals in the recording studio industry, notably those that are just getting into the business. A tight rope walk as we would imagine but something that a company like PMC is very much so capable of pulling off effortlessly and that is exactly what the PMC Result6 do!  The new Business Development Manager for PMC – Asia Pacific, was also at hand to experience the show and gauge the reaction of the visitors. Personally speaking, the PMC Result6 aren’t very much so in the realm of what may be called as typical ‘PMC Sound’. In fact, we feel that the boffins at PMC have taken a very different approach with these speakers. We even stick our neck out when we say that the way these speakers deliver the LF, is very different to that of a traditional LF response of a PMC loudspeaker. That itself made us sit up and take notice of the Result6. Coupled to this aspect the MF & HF’s also are so well integrated and pleasing that one thinks that these surely are very different speakers. The PMC Result6 have this uncanny ability to sound musical, precise and accurate whilst still providing a clear insight into the blemishes that might be present in a less than stellar recording, which itself is such a great asset that one can even listen to the poor recordings and not feel agitated to the extent with speakers which make them totally unlistenable. This is one very difficult feat that needs to be complimented to the fullest. At 2.5L, the PMC Result6 still aren’t cheap but yet when one pays attention to how they were showcased, minus any paraphernalia in the form of special cables, isolators, stands, acoustic treatment, etc., one wonders how much more can be gained if one decides to go down that path. Yes, a good source was used to pair the speakers with (AVM CS3.2 – 4L), but then the quality of a source can make or break the outcome of any set-up. Suffice to say, that we are very much so impressed with the PMC Result6 and would heartily recommend to those looking for a musical yet accurate active speaker. We would like to rate this room as the ‘Most Aspirational’ Room of the show.

1513 – ABSOLUTE SOUND

BRANDS SHOWCASED:

KII AUDIO

SOtM

ROON

TRANSPARENT AUDIO

EMOTION & KRAFT

STILL POINTS

SET-UP INFO:

Kii Audio Kii Three Active Loudspeaker

Kii Audio Kii Control

Kii Audio Kii Stand

SOtM sMS-200ultra Roon Streamer

SOtM tx-USBultra USB Regenerator

SOtM sPS-500 Regulated Power Supply to power Streamer and USB Regen

SOtM sCLK-OSX10 Master Reclocker

SOtM sPS-500 Regulated Power Supply to power Master clock

Roon Nucleus Roon Server

SOtM sPS-500 Regulated Power Supply to power Roon Server

Transparent Audio Premium Line Power Cables and Conditioners

Bamboo platforms from Emotion and Kraft

Stillpoints Aperture Acoustic Panels

Apple Remote

Total Cost of all the Equipment Showcased – 27.5L

Absolute Sound once again showcased the gear that was done the year before and we can state with confidence that this was going to be spectacular irrespectively. To say that the ‘Audiophile Crowd’ was happy is a forgone conclusion as JK, the set-up guru and owner of Absolute Sound always does his best to satisfy this crowd to the hilt. Having said so, we still have a lot of questions that need to be answered with regard to the Kii3 speakers as we have never heard them without the associated paraphernalia attached to them. How do they sound as is? Why can’t we hear them as is? What would be the outcome of the Kii3’s if they played without these attachments? Would they still sound as good? So many questions that aren’t being answered at the moment and we for one would love to learn the answers but only IF the opportunity so presents itself. Maybe, we need to speak with JK, to make this happen.

We can safely award this room as the winner of the ‘Audiophile’ Room of the show.

1514 – ELITE SCREENS

BRAND SHOWCASED:

ELITE

2 Screens, 1 with a short throw projector with some clips played in a loop, the other screen being a static display and one very disinterested person in charge of the room. That’s it folks!

1515 – LUXURY PERSONIFIED LLP

BRAND SHOWCASED:

MARSHALL

A complete illuminated wall of various Marshall Wireless Speakers of varying sizes dominated the room, along with a wall of Marshall Headphones were on display. We rather liked the sound of the Marshall speakers and would definitely love to hear a few of their models as & when we get the opportunity to review them if at all it happens. Prices were not advised to us so unfortunately we cannot state the same in this write up.

1516 – LUXURY PERSONIFIED LLP

BRAND SHOWCASED:

DEVIALET

Stars of the room were the Devialet Phantom Reactor 600 & 900 Ultra Compact Wireless Speakers, which are priced at 99K & 1.2L respectively. Also on display were the carry cases called Skin (30k) & stands called Legs (20K). As is with the bigger Phantoms, the Reactors go very loud and that is their claim to fame. Whilst it’s all good and fun for a while, one gets the feeling that fatigue sets in rather quickly with all this high SPL shining. Not to our liking to be very honest.

1518 & 1519 – BENQ INDIA PVT. LTD.

BRAND SHOWCASED:

BENQ

A couple of projectors showcased in each room, darkened rooms due to lights being shut off and again a couple of attendants walking around like zombies. The W2700 was the notable new model being showcased and on demo.

1520 – EIGHT AUDIO

BRANDS SHOWCASED:

EIGHT AUDIO

SB ACOUSTICS

Eight Audio is established in Hyderabad Telangana, and has brought in revolutionary designs of Danesian Audio (Denmark).

Manufacturing & Supplying Partners – SB Acoustics (Sinar Baja Electric Indonesia), Scan-Speak (Denmark) & Jantzen Audio (Denmark)

Eight Audio also design, develop and manufacture high-quality Audio Amplifiers, Pre-Amplifiers, Speakers, DAC’s using high-grade components. Eight Audio have been designing and building hand crafted high-end audio amplifiers and speakers for about 8 years. Eight Audio’s pricing is also rather very reasonable with the prices of the models showcased at the show as follows:

SATORI ARA BOOK SHELF SPEAKERS: 1.25L

SATORI RINJANI TOWER SPEAKERS: 1.5L

NOTE: 10K EXTRA FOR GLOSSY FINISHES (BLACK, WHITE)

Both the above speaker models were paired with Parasound Z Series Pre+Power Amps, with a Marantz CD Player. Why they did not showcase their speakers with their own amplifiers is a question mark though.

For the price, we rather liked what the ARA & RINJANI had to offer and surely look forward to hearing them in the near future as and when they arrive for a review. The attendants manning the room were young and dynamic which is always a good sign of an up and coming company.

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AV News Reviews

FOREWORD TO WHAT HI-FI? SHOW 2019 – MUMBAI COVERAGE REPORTS

Writing the post show coverage is always a task as one has to cover the whole show meticulously, arrange the large number of photographs taken/watermark them and then arrange them in the desired order to link with the article written for them. It takes a lot of time and mental concentration to do so, though inadvertently, there can be some mistakes which we will ensure to minimise to the best of our abilities.

As always our aim is to provide an as fair and impartial reportage of the show as possible, based on what we personally experienced ourselves. For sure, there will be those who will be aggrieved by what we write and be cross with us but we do so for the general benefit of the entire home audio video industry, that we consider ourselves to be part of. We hope to see not only the industry grow but also the level of the shows like What Hi-Fi? and maybe more that we will hopefully see taking place pan India.

As per our experience, this show has been one of the poorest attended and disappointing in more ways than one. The following are a couple of our observations of the show, that were contributing factors, ones that hopefully won’t be repeated in the future shows:

Provision of Information of Brands/Models being Showcased – Time and again, we have requested the exhibitors taking part in the show to advise the details of the same, so that the show organisers and we amongst others as digital AV focused media can create the awareness and interest into the target audience to ensure they must visit the show. This is a very critical aspect that needs to be addressed the most as AV enthusiasts by and large do not have an avenue to experience a lot of  the brands and their respective models(notably high end) at a dealers premises for obvious reasons.

Static Displays – Whilst it is very easy for the exhibitors to do so and time and again we have being noticing the trend growing amongst the exhibitors, it doesn’t really serve the purpose as the attending visitors do not appreciate the same and would love to hear the equipment on demo to their benefit rather than just see. After all the What Hi-Fi? Show is a Aural & Visual experience hence the exhibitors MUST make the effort to have the gear showcased properly and as desired, notably the aspirational / expensive / halo brands that the normal av enthusiasts do not ever have an opportunity to hear anywhere else. It rather makes sense for the show to be a small one that is focused on providing the satisfaction of the visitors than be a large one with the said visitors just walking by in disappointment and disgust.

Demo Set Ups – By and large most of the exhibitors who make the effort of showcasing their gear on demo always do so with great care, but there are some that just do not pay attention to this aspect, thereby the said product/brand doesn’t get showcased in the right manner. The reasons for such instances can be attributed to a lot of factors, including lack of relevant experience for doing the desired setup and or not having the synergy to showcase either their brand of electronics or speakers. Not always does a distributor have speakers and electronics that have a synergy between them and by showcasing such sets ups due to such constraints always backfires. Hence, it would make sense for distributors of such brands to have brands of other distributors showcased with their brands to achieve the desired synergy, thereby making it a win win situation for all concerned. There were a few that did precisely this and the results achieved were fantastic. We hope that this trend continues in future as well!

Designated Time Slots for Demo’s – Whilst a few exhibitors had smartly managed this, it needs to be done by most if not all to get the desired satisfaction of the visitors, so that they can hear the gears on demo in the correct fashion to appreciate or get more insights into the set up on demo as a future reference or purchase.

Pricing Information – A perennial question that most if not all of the visitors would like answered to! Besides one exhibitor, who ensured that all their products had the respective pricing displayed, none of the others did so. Our market is always curious to know the prices and that aspect is vital so that the same question does not keep getting asked and answered to time & again.

We hope that our observations are taken into consideration positively and they help in improving the quality of the shows in the future to ensure growth for all concerned.

Link to Show Report Coverage Part -1

Link to Show Report Coverage Part -2

Link to Show Report Coverage Part -3

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Reviews

FYNE AUDIO F502 FLOORSTANDING SPEAKERS – FIRST IMPRESSIONS

I have been wanting to listen to the Fyne Audio F502 floor standing speakers for a while now as I have always liked the Tannoy Revolution XT8F speakers and hence was keen to hear how much the boffins at Fyne Audio (ex Tannoy), with a collective experience of over 100 years, have managed to showcase their skills with the F502’s

After an excruciating wait, thanks to strong demand for the F502’s worldwide, KEI, the distributors for Fyne Audio in India, finally managed to get a few pairs for our market and duly opened a pair for evaluation as well as for the listening pleasure of the av media as well as the audio enthusiasts. It so happened that I had the good fortune of visiting on the day the F502’s landed at KEI’s HQ and were just plugged in for their evaluation, so technically they were fresh out of their boxes and ready to go. Go they went as right from the first track played, the F502’s showed no signs of edginess or any of the usual maladies associated with new speakers. What struck me the most was that the sound was so open, enveloping and balanced inspite of having no break in and also the fact that the speakers were not in an ideal environment. Given the constraints, KEI’s technical head was at hand and had no doubt managed to set them up well so kudos to the gent.

Partnering the F502’s were the following:

Analogue Source: Thorens TD240MKII with TAS267 MM Cartridge

Phone Pre Amp: MM Phono Input of NADM32

Digital Source: DAC inside NAD M32, paired with Bluesound Node 2i as the streamer.

Amplifier: NAD M32 Direct Digital

Cables: Inakustik

We played a variety of music genre’s, analogue & digital, some being very familiar, some not and the F502’s never sounded harsh, tinny or having bloated bass. The usual suspects (audiophile tracks) sounded wonderful and without any overemphasis of any specific frequencies. I also played some tracks from itunes and the tracks that did not have a good recording did sound flat and unappealing so yes the F502’s do not gloss over any glitches, which is also good.

Initial Thoughts:

What was supposed to be a quick listening session turned out to last for over two hours which indicates that the F502’s have the knack of reeling one in hook line & sinker with their abilities.

I Would not like to straight away compare the F502’s with the Revolution XT8F’s, but what immediately comes to the fore is a balance – sound wise which is better than the XT8F’s and the overall build quality of the Fyne Audio F Series is 100% superior than that of the Revolution XT Series. I will cover those aspects in detail when I have a pair of the F series for a detailed review, in future.

Do I like the F502’s, hell yes and am very keen to listen to them again, once they have had a decent amount of hours of break in, post which would be better positioned to arrive at a comprehensive conclusion BUT based on what I heard, I believe that the F502’s have that magic to ensure that they will be popular with the music enthusiasts & also the movie enthusiasts who love to listen to music in their home theatre environment as well.

I just hope that Fyne Audio & KEI ensure that the F502’s are available to the prospective buyers as required and that KEI promote the F Series in general with the right dealer network, in order to get the desired results.

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AV News

AVM ROTATION TURNTABLES – COMING SOON TO INDIA!

Nexus Audio Video, the distributors for AVM Audio Video Manufaktur Gmbh, has informed us that the new line of turntables designed and made in house by AVM Audio, will be soon available in our markets. There are 2 models currently made by AVM, called the R2.3 and R5.3

Excerpts from Mr. Udo Besser, Owner & Managing Director – AVM Audio Video Manufaktur GmbH, as under:

“The first turntables for AVM are AVM’s contribution to a vinyl revival. Designing technologically high-end analog sources was already a long-term wish dream and ambition, from the beginning a matter from the owner’s desk. Simultaneously, AVM introduces upgrades already for all the renowned phono stages in various AVM products. The combined expertise in both fields enables AVM to complete its unique portfolio with a range of pure analog products. Both turntables feature completely own tone arms exclusively designed by AVM.”

We look forward to playing with either or both models in the near future, stay tuned!